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Heavyweights Malcolm McDowell and David Thewlis add gravitas to the film but it’s Paul Bettany who comes into his own. The film gains distinction by virtue of its retrospective narrative as a young British hoodlum rises to prominence. Gangster No.1īased on a play of the same title by Louis Mellis and David Scinto, Gangster No.1 follows the rise and fall of a particularly prominent and ruthless gangster. With a political veil adding some complexity to its conventional heist-gone-wrong motif, the gang’s leader – Robert Carlyle’s Ray – finds himself dismissing his socialist values in Thatcherite Britain to turn to crime with a new sense of dog-eat-dog individualism. One of the few instances of a British gangster movie made by a female director, Antonia Bird, perhaps better known for 1999 horror Ravenous, brings us into the world of organised crime by way of a group of bank robbers who begin to fight amongst themselves when their money goes missing. The Greatest British Gangster Movies of All Time 26. It adds: “Nastier than anything else in 1940s British cinema, Attenborough’s intense performance as teenage gangster Pinkie Brown elevates this adaptation of Graham Greene’s novel.” In 1999, Brighton Rock was ranked 15th in a BFI survey looking for the best British film of all time. Richard Attenborough in Brighton Rock (1948). Notes the BFI: “Scripted for the by the illustrious combination of Greene and Terence Rattigan, the film’s tone veers jarringly between doom-laden noir, broad character comedy and the earnest Catholic preoccupations of Greene’s 1938 source novel, but vivid scenes shot on Brighton’s streets and racecourse keep things moving.” Pressured by a rival gang and hounded by the police, he tries to cover up the crime through any means. In 1948 director John Boulting released Brighton Rock, a film adapted from Graham Greene’s novel of the same name, that told the story of Pinkie Brown (played by the great Richard Attenborough) who finds circumstances spiralling more and more out of control after he kills a news reporter. You can’t talk about the best British gangster movies without referencing one of the earliest examples of the genre. What Lock, Stock and Two Smoking Barrels did was usher in a period of great British gangster movies while highlighting the delights of the genre to a new audience who could discover the classics like Get Carter, The Long Good Friday, The Italian Job, Mona Lisa, Villain, Brighton Rock, and Bellman & True. British film preferred, it seemed, to go down the tried and trusted route of period drama and romantic-comedy. But it had lost its allure and before Ritchie breathed new life into it, the bleak, naturalistic organised crime drama we saw in the late 1960s until the late 1980s in the UK had pretty much disappeared from cinema screens. Of course, the British gangster movie has a long and illustrious past. A film that launched the very successful career of its creator and led to many imitators, flooding the genre with a distinctive brand of Anglo gangster the guns, violence and expletives given an often rock n roll accompaniment. The only good thing this dvd had going for it was the special features, which included cast biographies and interviews.In 1998, the then-unknown writer-director Guy Ritchie released what would become the seminal British gangster hit known as Lock, Stock and Two Smoking Barrels. I won't even go into the business about the giant blond genetically engineered gangmember on steroids as I'm still trying to figure out why his character was introduced? Anyway, for all those fortunate enough to have missed seeing this movie up till now let me extend some simple advice.don't see it. Both of them seemed over the hill, and both were sporting beer guts, hardly what you would expect in two kickboxing heroes.
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The two leading actors Sasha Mitchell and Costas Mandylor were both wasted in this movie and both I'm sorry to say were looking pretty shabby in regards to their respective physical shapes. Vincent Klyn's tragic performance as Lucifer was simply pathetic, and a very pale comparison to his portrayal of the pirate leader Fender in the movie Cyborg. The plot was beyond stupid and the story became more and more twisted and confused as the movie progressed. ah yes, this has got to be one of the worst movies I have ever had the misfortune to view.